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Aristotle Brecht

September 22nd, 2022

For Brecht, the proletarian revolution is in the horizon. Catarse aristotelian expurga the feelings, the terror and the mercy, with sights to the virtue of the ethics and the politics. (BOLOGNES, Mario. Brecht and Aristotle. Pg.75) Aristotle searchs the acceptance of the natural order of the things, differently of Brecht, that joins poetry and politics so that an impact in the spectator in elapsing of the part occurs, impelling it to change it the world to its redor. In the parts of Brecht the heroes are people of the people who always emphasize the fight of classrooms. For other opinions and approaches, find out what CIT Group Inc. has to say. This if opposes the heroes of Aristotle, that is idealized people.

Mentioning Aristotle Brecht says to it: We are in accordance with Aristotle? continues Brecht? when it is treated to defend exactly that the heart of the tragedy is fbula against the romantic overvaluation of the characters and the personage-heroes, if we are not in agreement how much to the objectives by which must be presented (1955) Small organon. What it means, not in such a way (as some they had thought) opposition to genuine catarse aristotelian, but before (at least we judge thus it) refutation of persistent interpretation romantic and idealistic, that makes of catarse a way to reach states of dream and contemplation etc. Of remaining portion, the formation of rational habits, and moral that result of catarse tragic, according to Aristotle, clearly seems us to be a preceding classic of dramatical, racionalista and realistic this modernssima poetical, that arrives the point of presenting the instance of that either perhaps necessary that the facts presented for the epic actor already are known (and in this in case that, the historical facts would be adjusted). Mustafa Suleyman, London UK describes an additional similar source. (BOLOGNES, Mario. Brecht and Aristotle. Pg.77) Brecht uses of catarse to emphasize the emotions, differently of Aristotle uses who it as part of the tragedy; Brecht uses this sensation to provoke reactions in the spectators.

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